{"product_id":"the-cars-that-ate-paris-the-plumber-4k-ultra-hd-blu-ray-1974-1979-bfi-british-film-institute","title":"The Cars that Ate Paris \u0026 The Plumber Eat 4K Ultra HD Blu-ray 1974 1979 Peter Weir BFI British Film Institute","description":"\u003cp\u003e\u003cstrong\u003eOne of Stanley Kubrick’s favourite films and a direct inspiration for George Miller’s \u003cem\u003eMad Max\u003c\/em\u003e series!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroducing BFI's 4K Ultra HD (Region Free) Limited Edition release for 1974's \u003cem\u003eThe Cars that Ate Paris\u003c\/em\u003e and the Blu-ray (Region B) for 1979's \u003cem\u003eThe Plumber\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eShot in widescreen on Panavision cameras, Peter Weir’s\u003cem\u003e (The Truman Show, Dead Poet’s Society)\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003edebut feature (aka \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Cars that Ate People\u003c\/em\u003e) is a biting satire of small‑town life. It was also one of Stanley Kubrick’s favourite films and a direct inspiration for George Miller’s Mad Max series.\u003c\/p\u003e\n\u003cp\u003eWhile travelling across Australia in search of work, two brothers collide with an oncoming car. The sole survivor is taken in by the residents of the nearby small town of Paris, but their strange behaviour – and the alarming number of road accidents in the area – quickly unsettles him. It soon becomes clear that the town’s feral youth rule the streets at night in souped‑up cars, and the local hospital is overflowing with brain‑damaged crash victims.\u003cbr clear=\"none\"\u003e\u003cbr clear=\"none\"\u003eThis Limited Edition two-disc set also includes Peter Weir’s \u003cem\u003eThe Plumber.\u003c\/em\u003e This made‑for‑television psychological thriller follows an anthropology student and her husband, whose lives are disrupted when an over‑familiar plumber begins intrusive ‘repairs’.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eIMPORTANT NOTE: This set contains 4K Ultra HD Blu-ray (Region Free) and Blu-ray (Region B) Discs. An all-region Blu-ray player is required to read Region B Discs. Standard U.S. Blu-ray players will NOT read Region B Discs. Looking for all-region players? \u003ca style=\"color: #ff2a00;\" href=\"https:\/\/goodieemporium.com\/collections\/all-region-hardware\"\u003eWe got your covered\u003c\/a\u003e!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited Edition Features:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eLimited edition 2-disc set\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eIllustrated booklet featuring a new written interview with Peter Weir, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ean original \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ereview\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eessay\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e on \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eby Dr Stephen Morgan and on \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e by \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eTara Judah and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e writing about his short films by Peter Weir\u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNewly restored in 4K by the National Film \u0026amp; Sound Archive of Australia and presented in High Definition\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eNewly\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003erecorded audio \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ecommentary on \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e by Dr Stephen Morgan\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cem\u003eMy First Film: \u003c\/em\u003eTerry Camilleri on \u003cem\u003eThe Cars That Ate Paris\u003c\/em\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (2026)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enewly recorded interview with one of the stars of the film\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cem\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Peter Weir\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e\u003cem\u003e \u003c\/em\u003e– \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2003, 11 mins): archive interview with the director\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cem\u003eGuardian Interview:\u003c\/em\u003e Peter Weir\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(1985\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, 70 mins, audio only\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e) \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eextensive interview with the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e acclaimed director, recorded around the release of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ePeter Weir’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eOscar\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e-winning film \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eWitness\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e3 T\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eo Go: Michael \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(197\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e0\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, 3\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ethree young filmmakers, of whom Peter Weir was one, were commissioned by the Australian Commonwealth Film Unit to each \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ewrite and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e direct a half-hour fiction drama on the theme of ‘Youth’. These were combined for cinema release as \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e3 To Go\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e. \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eMichael\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e was Weir’s contribution to the project\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cem\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eNobody Leaves Paris! No One!\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e\u003cem\u003e’\u003c\/em\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e(2026, 15 mins): a newly commissioned video essay by Chris O’Neill looking at \u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris  \u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e\u003cem\u003eInterview with Hal McElroy\u003c\/em\u003e (2008, 6 mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ean interview with the one of the producers of \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Cars That Ate Paris\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e, originally recorded by filmmaker Mark Hartley for his documentary\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNot Quite Hollywood\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (1979, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e7\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e7\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e): remastered in 2K, Peter Weir’s made-for-television thriller \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003efollows an anthropology student and her husband whose lives are disrupted when an over-familiar plumber begins intrusive ‘repairs’\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eNewly recorded audio commentary on \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cem\u003eThe Plumber\u003c\/em\u003e \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eby Alexandra Heller-Nicholas and Josh Nelson\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eIncredible \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW62674914 BCX0\"\u003eFloridas\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e (1972, 13 mins): \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ea\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eportrait\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eAustralian composer Richard Meale \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eInterview with Peter Weir\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e – \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eThe Plumber\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2003, 8 mins): archive interview with the director \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cem\u003ePeter Weir's Dream within a Dream\u003c\/em\u003e \u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e(2026, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e8\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e mins\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e)\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e: sparked by the discovery of rare outtakes from \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003ePicnic at Hanging Rock\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003ethis \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enewly made work by Polish filmmaker \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003eJakub Duszynski offers \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003enew \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003einsight into Weir’s \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW62674914 BCX0\"\u003e1975 masterpiece\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eTrailers\u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"Paragraph SCXW62674914 BCX0\"\u003e\n\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW62674914 BCX0\"\u003eImage galleries \u003c\/span\u003e\u003cspan class=\"EOP SCXW62674914 BCX0\" data-ccp-props=\"{\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYear: 1974\/1979\u003c\/li\u003e\n\u003cli\u003eLanguage: English\u003c\/li\u003e\n\u003cli\u003eRuntime: 88\/76\u003c\/li\u003e\n\u003cli\u003eAspect Ratio: 2.39:1\/1.85:1\u003c\/li\u003e\n\u003cli\u003eSubtitles: English (optional)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2 Discs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":46241480999083,"sku":null,"price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/2768\/6315\/files\/IMG_3247.jpg?v=1780553827","url":"https:\/\/goodieemporium.com\/products\/the-cars-that-ate-paris-the-plumber-4k-ultra-hd-blu-ray-1974-1979-bfi-british-film-institute","provider":"Goodie Emporium ","version":"1.0","type":"link"}